Effects chains can be global, with per-voice send levels, insert chains affecting specific MIDI channels, or even be tied to specific groups of layers within a program. Hundreds of effects algorithms can be chained together in arbitrary order and modulated in real time. KDFX is a digital effects engine worthy of VAST. Most significantly, the K2000 and K2500вЂ™s very basic original effects have been completely replaced.IвЂ™ve called out specific synthesis features that IвЂm pretty sure are unique to the Forte here, but will cover the more substantial physical changes in another section: The quickest way I could think of to explain why I remain passionate about VAST twenty-eight years later is a quick rundown of things that changed somewhere along the way between the K2000 and the Forte. From inception, it has been a flexible pipeline of DSP blocks to help shape those samples into a playable instrument or transform it into more exotic, experimental sounds suitable for electronic and industrial soundscapes. Of course samples are just raw material for the VAST engine. ThereвЂ™s a reason why I stuck with my K2500XS for more than two decades and was able to shrug off GAS for so many other digital synthesizers along the way. Add in half-damper support and string resonance, and itвЂ™s clear that Kurzweil was serious about appealing to the gigging musician playing a wide range of traditional keyboard parts.Д®ven if you donвЂ™t dig deep into sound design, the array of factory and third-party sounds that do so on your behalf is impressive. New multi-gigabyte samples for Yamaha and Steinway pianos, Clavinet, Wurlitzer, Rhodes, and Celesta are outstanding additions. ItвЂ™s a great way to build a solid foundation of bread вЂn butter sounds that can be tweaked to sit just right in a mix.ДЄll of the ROM samples from earlier VAST keyboards are present in the Forte, so thereвЂ™s a healthy mix of orchestral content, percussion, bass, and keys but whatвЂ™s most noteworthy are the updated classic keys in the latest ROM. ItвЂ™s no wonder that so many Broadway shows have relied on Kurzweil keys for their productions. Sixteen channel multi-timbrality with dynamic voice allocation, and a host of features that make the instrument a compelling master controller. The ability to load samples to complement the ROM content. Consistent use of real world units like hertz, cents, and decibels throughout the synthesis engine. Virtually everything that stood out about the K2000 is still here: the ability to add color and life to otherwise static samples or mangle them beyond recognition. ThereвЂ™s no wholesale reinvention to be found, but rather a whole lot of refinement. The thing is, their offerings are still astonishing instruments with few rivals - and they just keep getting better, with the Kurzweil Forte as the most recent iteration. Kurzweil has iterated numerous times on that basic design, even through a disastrous period of uncertain ownership that saw them slip from the spotlight. My first hands-on experience was enough to sell me, as I came home from that trip to my local dealer with a K2000 and a new perspective. Suddenly, what had been a line of sample playback devices evolved into a powerful synthesizer with the introduction of Variable Architecture Synthesis Technology (VAST). I had been aware of Kurzweil during the K250 and K1000 eras, but what really turned my head was the K2000.

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